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Damien laurent blinkk5/15/2023 ![]() ![]() We haven’t thought about doing it differently.ĭo the boundaries of home and work life constantly blur? It insures there is always a critical eye present throughout. Is it easier working as a pair? Could you imagine doing it alone? So we overlap and part, then overlap again in pretty much all the stages of the process. ![]() We have always liked to escape defined roles. How does your working relationship operate? Do you have defined roles? In a way we wanted to include a bit more of the before and after and make longer sentences. Our ‘observational’ photographic work is also very ‘filmic’, in the sense that the characters always look ‘inhabited’ by a story that we can only just imagine. We have always based our photographic work on mini scenarios and on the premise of a before and an after to the still image. ![]() What triggered your move into directing film? Challenging, yes, but we found it to be a very interesting part of the process. Working with actors (and non actors) for film was the next step. Some of our photographic projects actually involved working with actors and we always found it to be a very rewarding experience that provided a different dynamic to the shoot and the final end result. Now their campaign for Ergo – perceptive slo-mo up-close portrayals reflecting “understanding” – will be airing throughout the year in Europe.Ĭoming from a stills background did you find it challenging to direct actors for film? Leila and Damien De Blinkk caught our eye with their fluid and beautiful direction for French Connection and HTC (see Related Content). ![]()
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